Since being recorded by Frank Sinatra on new Year’s eve 1968, “My Way” has end up being without a doubt thé most recorded song in history. Across auto world, many toutes les personnes don’t à savoir that this international la norme was in reality originally a success in France, “Comme d’habitude”, released in 1967 passant par Claude François, that co-signed thé lyrics with gilles Thibault nous a composition passant par Jacques Revaux.

Vous lisez ce: Comme d habitude de claude françois

What The france invites you à discover the story du this souper in the life episode of our nouveau web séries “Once dessus A Song”.

For those who want to know more, you can dive into this entretien with Jacques Revaux discussing thé genesis of this standard song.



My method – 50th Anniversary (1969-2019)

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Where did ‘Comme d’habitude’ come from? go the souper really ont its origins in winter sports?

I remained in Megève. Ns wrote 4 songs that morning, which was nothing unusual. In my case, composing one, five jaune eight songs in a day is thé same thing. Ns a bad instrumentalist, marqué I sing et accompany myself, et don’t find ce difficult to start songs. What i find more tough is finishing them, having good lyrics, and presenting them to artists soja that they’re picked up et the auditeur buy them. On that day, i wrote ‘Comme d’habitude’ et three divers songs; ‘Jeune homme’ for Johnny Hallyday’ was one du them, je think ‘Plante une arbre’ that Richard Anthony recorded, et perhaps ‘Les enfants on nécessaire d’amour’, sung passant par Hervé Vilard.

Why space the life lyrics composed in English?

At auto time he was seul starting out, et in thé end je never mettre him. Je worked a de nombreux with roche Delanoë, and in peut faire 1967, as soon oui he got this piste from London, he sent cette on à Las Vegas, venir Petula Clark. 50 year later and I’m calmer waiting for her reply!

We gift the song to Dalida, that wasn’t keen. Hervé Vilard climate wanted venir take it, marqué this time it was je that didn’t desire him to, oui I didn’t feel the track suitable him.

All mien songs at thé time were released by nouvelles Éditions Barclay, directed par Gilbert Marouani, v one de the A&Rs gift Régis Talar that I’d known due to the fact that 1962, that I’d aller on to set up the Trema marque later. Soja a few days later, Régis (my le meilleur friend et partner pour nearly fifty years), gave thé demo à Claude François. Fifteen work later, conditions météorologiques got an answer: it was a no! Claude has actually his own A&R, blue jeans Jacques Tilché, who thought about it, et said the souper didn’t suivre Claude. It’s a slow-moving song, he’d seul done one or two of those in his whole career. His successes had tous been through upbeat songs.

What kicked off the totality story, is that I’d endroit Claude in Cannes conditions météorologiques the Croisette in July. We’d had actually lunch together, and chatting away, cette said à me: ‘You compose songs parce que le everyone, cible you’ve never written shit pour me?’ those to be his précisément words, ns remember lock well. I told him the I’d got nothing because the souper that I’d ressentir in May, the one that hadn’t suitable him. ‘How did ce go?’. Ns sang it. Cette didn’t mental it, cible said ‘Come over to the meule at auto end de August’.

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And so, conditions météorologiques the critical weekend du August, je went to the Moulin du Dannemois, where everyone was hanging the end in those days; radio programmers, friends de Claude, Éric Charden who’d written his summer hit ‘Mais quand le matin’… nous were by the pool, marqué it didn’t happen at all like in the cinématique Cloclo. Firstly, je was pretty slim at auto time, and didn’t ont the weight de the actor who played moi in thé film. In the film, nous were beside the pool, ns playing thé guitar, hey takes it from my hands et says ‘it need to be like this’, as if he finished auto song, i beg your pardon is not the truth.

In fact what happened is that Claude claimed to me in front du everyone ‘play me your shit’. Ns say the I’ve got the demo, cible he wants moi to jouer the song. Cible I importer my way; we aller to auto kitchen, begin listening to auto demo, marqué he saus again ‘no, take auto guitar et play it’. Haricot de soja I go ahead et start playing, et he saus ‘could you ajouter a note parce que le me?’. That’s ends up gift the noter at the start of the melody, the part that walk ‘Je m’lève et em te bouscule’.

On auto demo sung passant par Bowie, that remarque isn’t there. Claude needed the remarque because he has part lyrics, composed two jaune three job previously, nous a napkin at auto Cloche doré or somewhere, about his break up with france Gall, which had actually really uncomfortable him. So Claude françois really is behind auto lyrics du ‘Comme d’habitude’, and I wrote thé music.

Many livres attribute auto origins de the bridge du the chanson to Claude francis – sauce soja you’re saying cette didn’t compose it?

In Megève, thé day that je wrote ‘Comme d’habitude’ et three divers songs, i had dinner at étreinte Aufray’s place, through Monty, roche Delanoë et many other friends. Hugues heard thé song oui it had actually been written on the sapin day, through a leg that he told me was a bit mechanical, kind de in the style of michel Legrand. Then nous the demo je sent over to London, ce has a much more sophisticated déditions of auto bridge. Hurlement didn’t take the souper that I’d adjusted thinking ns him, cible this is the version that I volonté Claude françois to listen to. When he tells me that auto melody in thé verse have to be provided better, je tell him that indeed, I’d written a bridge… which is the une we toutes les personnes know today.

In October 1967, je went to the internationale Pop Song fermé in Rio ns Janeiro, where je accompanied hervé Villard, that came second in thé competition v a souper that I’d provided him. Auto telephone classées in my hôtel room, and it was Régis who told me that thé recording of ‘Comme d’habitude’ was fantastic. He also told me that cette would be the tons 45 release nous Claude’s nouveau label, Flèche. On the différent songs conditions météorologiques the record, he is a co-writer, and wants à be a aller of toutes les personnes the songs. Régis tells je ‘if ce doesn’t bother you, he’d like to have a co-write nous the musique with you’. I say yes. Je had two witnesses venir confirm this, since they were in my hotel room v me: Jacques Brel et Bruno Coquatrix (the director of l’Olympia).

How go ‘Comme d’habitude’ cross the Atlantic et become ‘My Way’?

It was année extraordinary period: in those days, once a Claude francis single came out, everyone might be singing it two days later.‘Comme d’habitude’ went to num 1 in France, but instead of selling 500,000 or a million singles, it only sold 350,000 over a couple of months. There had been much bigger successes. 

But gilbert Marouani, ma publisher, is likewise sub-publisher in france of Spanka Music, pôle Anka’s own publishing company. Lock were ensemble in Anka’s pièce at the Plaza Athénée when cette was in Paris, and Gilbert asked if cette could turn nous the television so cette could check out his artist Claude francis sing one du his songs, ‘Comme d’habitude’. Anka realised that he’d already heard this song on thé radio, and asked if he could have année option nous the song for six months.

In june 1968, Marounai told Anka that, due to the fact that nothing had happened, hey would take back auto rights to thé song. Pôle asked pour 6 an ext months, throughout which he finished auto lyrics et had auto brilliant idea du pitching the souper to don Costa, franc Sinatra’s producer, that at auto time didn’t ont huge prendre note sales.

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Sinatra taped ‘My Way’ nous 31st December 1968. With this song je received prix everywhere; the USA, Japan, and Germany. Everywhere séparément from France.