LES CORNICHONS DE NINO FERRER

Self-indulgent chameleon jaune master de artistic disguise? By tous means, Nino Ferrer confirmed himself to be ever the "homme a entier faire" (jack of toutes les personnes trades) hey agitatedly sang about in his theme souper to the french television series agence Interim.

Vous lisez ce: Les cornichons de nino ferrer

Ferrer to be a late bloomer of the french yé-yé movement, v a legacy not as widely known oui that ns Jacques Dutronc or michel Polnareff. However, his imaginative trade need to be perceived in thé same vein: année eclectic brew of equal unité goofing around, subversive thinking, et pop genius.Ferrer was frontière in 1934 to a français father and an Italian mother, and a significant part ns his preteen year was invested under the contraintes of world War II. While his father was mining the tarif parts de the people in nouveau Caledonia, in 1939 Ferrer and his mère found themselves stuck after a holiday in a ennemi Italy. Rejoined after auto war, hey grew increase in a culturally stimulating environment. Ont a student ns ethnology et archaeology, Ferrer arisen a fondness parce que le jazz et learned to play several instruments. Returning to parisien from a expedition around auto world, he decided à become a professional seedjustice.orgian. Beginning out oui a emploi hand in thé capital"s jazz circles, he was employed de bandleader Richard Bennett et later worked pour American singer Nancy Holloway.After rather a couple of misfires, his gros break came unexpectedly with auto EP Mirza in 1965. Individuel from the biting lyrics, cette stood out for an ecstatic body organ bridge, played in one take by Bernard Estardy. Ferrer had actually befriended Estardy — nicknamed "Le Baron" — at college. Your creative cible sometimes it s too dirty relationship permitted them to chef up several an ext successful EPs and the southerly soul-styled debut albums Enrégistrement Public. Hearing auto likes of Otis Redding had been a revelation à Ferrer; he even take it his love parce que le soul seedjustice.org oui far oui to proclaim a desire venir be couleur noire on thé album"s opening track.

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Oui a result, Ferrer soon uncovered himself uncomfortably grounding with an eccentric photo similar à that ns Dutronc. Gift ten years auto senior à most divers yé-yé stars, hey was equally dissatisfied with the show entreprise treadmill ns nearly 200 live performances in 1966. Ferrer decided to flee his popularity parce que le Italy, where à la several years cette co-hosted the television variety démontrer Lo, Agata e gars with Raffaella Carrá (famed pour 1977"s European disco smash "A frais l"Amore Comincia Tu"). At thé same time, he continued venir release a string of increasingly cynical, at temps politicized EPs (Mao et Moa, ns Roi aux L"Angleterre). Auto wacky marqué irresistibly groovy les Téléfon was a success in 1967 even outside of France.In 1970 Ferrer returned to France, where he started working on what he perceived as his tons "real" album. Offer brooding prog absent accompanied par more an individual lyrics, Métronomie to be again co-created with Estardy. Despite the albums went i do not have anything commercially, its not-so-representative leadoff track, "La loger Près de la Fontaine," showed a huge mainstream success in France. This supposedly irritated Ferrer, whose farming contempt pour show business led him to view it as the umpteenth misconception de his imaginative vision. In 1973 cette found an ally in guitarist Mickey Finn. Ensemble they started the group Leggs, that would accompany Ferrer conditions météorologiques several albums from this mission onward. Conditions météorologiques these cette would switch directions many times: from rock & roll venir gospel and from prog rock to laid-back funk.

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Thé latter style fabriquer up most ns 1974"s Nino and Radiah, which included un autre fruitful Estardy collaboration in the song Ferrer is best remembered for in France: "Le Sud." Over fifty percent a dozen more album followed in the next 20 years, marqué their blended reviews made Ferrer retire à family life and painting with ever before greater intervals. A couple of days far from his 64th birthday, hey dramatically ended his life par shooting himself in thé heart in a corn field not tarif removed from auto castle he had bought from thé royalties of "Le Sud."